This article is written by Priyank Thatte. Priyank is a noted travel blogger and his blog  features in a list of India’s best bloggers. He is currently employed at the Ministry of Community and Social Services, Government of Ontario. He is based in Ontario, Canada. He is one of our guest contributors.

Over the course of urbanisation and economic development, cities get transformed and often lose their historic flavour. Few cities in the world have been able to actively preserve and restore their cities back to the historic and architectural splendour from centuries ago that the places were known for. Quito, the capital of Ecuador, is one of such cities and has the honour of being awarded a status of “world heritage” city back in 1978, the first time that any city had earned this acclaim.

Sign in Quito’s Grand plaza: “Cultural capital of America, 2011

I am extremely curious about historical sites, architecture and recognitions such as these. So, armed with a list of criteria that UNESCO uses to select heritage sites, I began my  in a UNESCO way.

World Heritage city: Criteria for selection lays down 10 criteria for selecting a UNESCO site. 6 of these criteria relate to cultural capital.

1. “represents a masterpiece of human creative genius”

2. “exhibits an important interchange of human values, over a span of time, or within a cultural area of the world, on developments in architecture or technology, monumental arts, town-planning, or landscape design”

3. “bears a unique or exceptional testimony to a cultural tradition or to a civilization which is living or which has disappeared”

4. “is an outstanding example of a type of building, architectural, or technological ensemble or landscape which illustrates a significant stage in human history”

5. “is an outstanding example of a traditional human settlement, land-use, or sea-use which is representative of a culture, or human interaction with the environment especially when it has become vulnerable under the impact of irreversible change”

6. “is directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal significance”

Quito’s historic centre, the “Old Quito”

“Quito, the capital of Ecuador, was founded in the 16th century on the ruins of an Inca city and stands at an altitude of 2, 850 m. Despite the 1917 earthquake, the city has the best-preserved, least altered historic centre in Latin America. The monasteries of San Francisco and Santo Domingo, and the Church and Jesuit College of La Compañía, with their rich interiors, are pure examples of the ‘Baroque school of Quito’, which is a fusion of Spanish, Italian, Moorish, Flemish and indigenous art.”  – Quito, on UNESCO.

1. Monastery of Santo Domingo

The Santo Domingo church was built in the first half of 17th century. The building occupies the eastern side of large Plaza Santo Domingo around which Quito’s public transportation system (Trole bus) winds.

2. Monastery of San Francisco

Iglesia y Monasterio de San Francisco, colloquially known as El San Francisco was built in 1604. When I was here last month, the facade was being repaired and the building was closed for visits except for a mass at 17:00. I snuck in as people were assembling, just before the ceremony began, and took some pictures.

3. Church and Jesuit College of La Compañía

La Iglesia de la Compañia de Jesús, known colloquially as La Compañia is a Jesuit church in the historic center of Quito, Ecuador. It is one of the best-known churches in Quito because of its interior plaster and wood carvings. The large central nave, which is lavishly decorated with gold leaf, is supposedly one of the best in world. It costs $2 to enter this church and you are not permitted to photograph inside. hmph!

Quito School of Architecture: Fusion of European and Native American concepts

Under the influence of the Spanish rule and the Catholic religion between 1542 and 1824, the Quito school of architecture established its identity as an artform with a combination and adaptation of European and Indigenous (local people of south america) features.

The technique of “Encarnado” (simulation of the colour of human flesh) is the main characteristic of the school. Due to this, I thought that the work looked quite life-like, in comparison to its sister European art in which human bodies were mostly pale and monotonous. In addition, characters depicting stories from the Bible are dark skinned locals, and you can clearly see the inclusion of ancestral indigenous “pagan” customs and iconography such as the use of animals and natural forces.

Church and Plaza Santo Domingo.

So, these were some of the principal world heritage sights in Quito and I took a lot of time checking these out. But it was only the tip of an iceberg, there was an entire UNESCO city to discover.

Which UNESCO cities have you visited and what was your experience?

Priyank Thatte

8 Oct 2011

Author bio: Priyank is a world traveller and a travel blogger who was recently backpacking in Ecuador, South America. Checkout his travel blog, join his facebook page and follow him on twitter.

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I have always felt an affinity with wild animals and they, likewise, seem inordinately attracted to me. On a visit to the Adirondack Mountains of upstate New York this summer, a black racer snake crawled across my foot. On safari in the Serengeti of Africa we encountered a lion sleeping with his head hidden behind a rock. I politely asked him to sit up for a photo. My guide’s snigger turned to amazement when the lion sat up regally and looked directly at me. After snapping a few photos I thanked the huge male and he laid back down.

Of all my wildlife encounters around the world, none have been more astounding than those with sea lions in the Galapagos Islands of Ecuador. Sea lions have a reputation as curious animals who often investigate divers. Last year in Mexico a family of sea lions checked me out from a respectful distance as I snorkeled in the cold blue waters off the coast of La Paz, Mexico. But in the Galapagos, these sleek brown animals collected by the hundreds on beaches and lay across trails, completely indifferent to humans. On land it was usually not a problem to maintain the six foot distance required between man and animal, though at times our diversions took us through boulder fields and prickly vegetation. In the water, however, it was another story.

One day my sister and I snorkeled around a point and swam into a cove surrounded by submerged rocks where a lone sea lion frolicked. He torpedoed back and forth and swam circles around us, inching ever closer. We twisted and turned, trying to keep him in view, but he was just too fast for us. I popped to the surface and yelled for the rest of our group to join us. Instead of being threatened by our larger numbers, the sea lion seemed energized. Time and again he broke the surface for air and nose-dived to the bottom. Playfully, he began exhaling as he raced around us, encasing us in a cylinder of bubbles that began as giant oval pockets and broke into a million swirling, iridescent pinpoints that slowly rose to the surface. Though I don’t have an underwater camera, one of my fellow writers did and he very graciously allowed me to show the above video.

Later that week, rather than snorkel or kayak, I opted for a trip to a gorgeous white sand beach on Chinese Hat. After a swim in the crystalline turquoise waters I settled down on my towel and was soon fast asleep. A shout from our naturalist, Ceci Guerrero, woke me up. “Bobbie, get up. Don’t touch, just look.” (with three Barbaras on the trip, I had been dubbed Bobbie). Two young female sea lions were waddling up the sand toward me. Curious, one of them touched my thigh with its nose while the other went around my back side. I turned to follow the antics of the one at my rear, unaware of what was happening at the shore, until Guerrero yelled again. “Watch out Bobbie! Look behind you.” A giant bull had chased away a young male and herded these two young females onto the beach, intending to add them to his harem. Sensing that I was a new threat, he rose from the ocean and headed toward me. The ensuing series of photos taken by Ceci show what happened better than I can put into words.

Throughout the eight days of our cruise, sea lions were the most precocious, delightful animals of all the species we encountered. They are so cute that I yearned to reach out and touch one, but of course that is prohibited. I asked our other naturalist, Yvonne Mortola, if she’d ever felt their fur. “Only a dead one, ” she replied. As much as she would like to stroke a live sea lion, she believes doing so would be the beginning of the end.

Despite the fact that Mortola can’t touch the animals in the Galapagos, she has a unique relationship with them. One day I thought she asked me to turn around so she could take my picture. When I complied she laughed, “I was talking to the lava lizard.” The lizard willingly turned around on its rock and posed for a photo. I was delighted to learn that I am not the only crazy person who thinks she can communicate with animals.

Barbara Weibel

24 Oct 2011

http://holeinthedonut.com/2011/10/24/galapagos-islands-ecuador-sea-lions/

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